The museum that houses Australia’s largest permanent collection of ancient Egyptian antiquities has removed its unwrapped mummified body parts from public display, citing ethical and community concerns.
The University of Sydney’s Chau Chak Wing Museum has removed the human remains from its Egyptian galleries, about 300 of which have been on display at a time.

It has also removed items that were excavated from a coffin, including an internal cast of a skull and a resin and wax ear.

Mummy of a boy named Horus lays in a case above the interactive CT scans that will be on display at the Chau Chak Wing Museum at the University of Sydney.
The Chau Chak Wing Museum has removed ancient Egyptian human remains from public display, although the mummified body of “Horus”, shown above, remains available for visitors to view. (Kate Geraghty)

The museum said the remains and other items will be taken to its collection store while it updates its approach to such displays with Egyptian communities and authorities, however two mummified bodies named Meruah and Horus will remain available for public viewing.

“For hundreds of years body parts in museum collections have been treated as objects,” Dr Melanie Pitkin, the senior curator of the museum’s Nicholson Collection, said.

“We have become so accustomed to seeing them on show that we often forget they once belonged to living people.”

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She said the decision to remove the body parts came on the back of significant research into cultural and ethical attitudes towards their display, including focus groups with members of the Australian-Egyptian community.

The museum will also change its language and messaging used in regards to human remains, and will rename its “Mummy Room”.

“The word mummy derives from the Arabic word mūmiya, meaning bitumen, which refers to how a mummified body looked after resins were applied,” Pitkin said.

The ancient Egyptian coffin of Padiashaikhet at the Chau Chak Wing Museum at the University of Sydney.
The museum is home to Australia’s largest permanent collection of ancient Egyptian antiquities. (Kate Geraghty)

“It’s a colonial term embraced when Egyptomania took hold in Western cultures in the 19th century. 

“In renaming the room we’d like to focus more on the transformation of the body into an eternal being, which is the whole point of mummification, rather than the body itself.

“We also encourage visitors to critically reflect on the ethical complexities museums face when caring for human remains.” 

The removed displays have been replaced with ancient Egyptian funerary faces from coffin lids and masks, as well as a painted portrait from the Roman era. 

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